Displaying The Environment In Your Photography
There are many important elements to creating exciting wildlife photography. In this post, I will discuss my use of the environment in wildlife photography to emphasize the ‘story’ aspect of a particular species.
Capturing this stunning visual exploration of a polar bear while on assignment in Svalbard, Norway. The use of the environment has created a beautiful art piece, while also telling a compelling nature story about the life of a polar bear: polar bears live in icy isolation.
When confronted with the majestic beauty of a polar bear in the wild, it can be tempting to do the following…
You mount your longest telephoto, and eliminate the environment in an effort to grab a close-up photograph of this magnificent bear. While capturing a photograph like this is not wrong, consider this. Perhaps your telephoto lens produces a photograph similar to what is in the red box above. This photograph could be taken anywhere. It could be in a zoo. Sure, go ahead and take that photo. However work fast, and then explore the surrounding environment as well. The environmental photographs are often the money photographs!
Including environmental background areas can give clues to your viewers about the photograph. For example, what time of day was the photograph created? It is critical to take in the environment, and then decide how best to portray it within your photograph. Don’t take this step lightly. A key consideration would be… Is the best capture a vertical or a horizontal orientation for the photograph? How can I implement the environment in wildlife photography?
These are just a handful of the many training considerations that I share with my clients in my workshops and private tours.
When using the environment creatively, you can take a more literal approach- such as my photograph of the black rhino, or you may take a more creative approach- such as my semi-abstract portrait of the cheetah on the saltpan. This is the fun of wildlife photography! Learn by experimenting and discovering what works best.
At times, your use of the environment may be enforced by necessity. This giraffe was very far from my location.
Sometimes the environment becomes the photograph, such as this capture of the giraffe on the Skeleton Coast. My longest telephoto lens could just pull in the giraffe close enough to be a part of the photograph. However, it was really the layers of texture and color of the surrounding landscape that caught my attention. The giraffe was bonus in the composition that brought it all together. Neither piece of the total photographcould work as well alone: the landscape without the giraffe, or the giraffe without the layering, colors, and textures of the surrounding landscape environment. Together, they make a lovely compelling photograph that well represents Africa: distance, isolation, color, and camouflage!
An experienced wildlife photographer takes in the entire frame within their camera. New wildlife photographers tend to become excited, and focus their eyes only on the animal. In some instances, this will work. A close-up is always a welcomed photograph.
However, an environmentally rich photograph will often produce the best photograph whether for publication or for a fine art print.
Take a careful look at the photograph of the red crowned cranes. Imagine yourself as the photo editor of a wildlife, birding, or travel magazine. Can you picture how important it is for you, as the editor, to be able to let your viewers place the location within their minds? It is in fact critical. Yes, close-ups are great and necessary. However, just as necessary as environment in wildlife photography. In any situation where I’m photographing wildlife, I look for the wide photo, the medium photo, the semi-telephoto photo, and ultimately the extreme close-up photograph.
You won’t get all of these photographs every time.
However, it should be your goal!”